Holiday, Billie, 1. Credo Reference. In 1. Frank Sinatra declared that Billie Holiday was . Fast- forward to the twenty- first century, and Holiday's impact on American music seems even more profound. Lost Distilleries 1885-1945 LOST SCOTCH MALT WHISKY DISTILLERIES 1885-1945. She has influenced the likes of Lena Horne, Tori Amos, Sarah Vaughan, Cassandra Wilson, Kate Bush, Tina Turner, Natalie Merchant, Macy Gray, Joan Osborne, Amy Winehouse, Joni Mitchell, Norah Jones, and Beyonc. In addition, she sparked mainstream acceptance of musical protest and thus serves as catalyst to music recorded by Bob Dylan; John Lennon; Crosby, Stills, Nash, and Young; Country Joe and the Fish; Grandmaster Flash; Public Enemy; Rage Against the Machine; Sonic Youth; R. E. M.; Green Day; the Dixie Chicks; Pink; and many others. Though Holiday struggled personally, financially, and even professionally for much of her life, her posthumous success and influence are nearly unmatched in American music. Though the celebrated opening of Holiday's autobiography is technically inaccurate, it certainly captures some of the essence of the problems her family had as well as her own fantasy about what they could be: . He was eighteen, she was sixteen, and I was three. As Holiday biographer Donald Clarke points out, not only are the ages designated incorrect, for Sadie was 1. Holiday was born on April. Their immaturity, though, was to blame for many of their failings as parents, so it makes sense that Holiday exaggerated their youth. Sadie would forever vacillate between acting the parts of controlling parent and jealous older sister to her only daughter, whom she named Eleanora Fagan. Clarence Holiday, largely absent from his daughter's life, sought instead the thrill of the stage and the road. To be fair, he wasn't altogether missing from Holiday's life; by 1. Sadie and Billie money for rent and other necessities, though sporadically and only, apparently, under pressure from his daughter (Clarke 2. Raffles Hotels & Resorts Partners with Sipsmith to Create Bespoke Gin Tuesday, October 13, 2015 Raffles 1915 Gin celebrates the 100th anniversary of the Singapore Sling Raffles Hotels & Resorts have partnered with Sipsmith, passionate pioneers of London’s. 1915 (2008) 1915 (2008) 1915 (2008) 1915 (2008) Game Over (2011) Game Over (2011) The Last Summer (2012) MH IMDb . Proudly created with Wix.com (Wix Logo) This site was created using WIX.com. Create your own for FREE. STILLS: JAMES, CECIL, HOWARD - Tennessee - people search, genealogy, find deceased relatives and locate ancestors Name SSN Date of birth Date of death Lived State Zip Code (Last Residence) Zip Code (Lump Tax payment) TAYLOR STILLS. The Birth of a Nation (1915) Pages: () Background A controversial, explicitly racist, but landmark American film masterpiece - these all describe ground-breaking producer/director D. Enjoy worldwide cruise vacations and luxury cruises with Cunard Cruise Line. Take advantage of our last minute cruise deals and discover a world of opportunities aboard our Queens. Check back often to see the latest last minute offers as. It is a delightful time capsule—a series of stills laid out like a prospectus for a silent movie—chronicling the landscape; the new. Royal Family Leaving Funeral At St Georges Last modified: Tuesday 14th July, 2.06pm Live from Ros Muc, to commemorate the day 100 years ago that Patrick Pearse left Connemara for the last time before the Easter Rising. Cothrom an lae seo sa bhliain 1915 a d’fh 10 Fascinating Last Pictures Taken Blogball November 13, 2008 The words “Last picture taken” before his or her death conjure up many emotions, whether in front of the camera or behind it. This list consists of 10 last time stamps in history taken of and by If. Holiday saw both of her parents as victims, excusing much of their mutual bad behavior on the grounds that they hadn't ever been given a fair shake. The victimization of her father, she believed, began when he was sent overseas to fight in World War I. According to Holiday, her father wanted to play the trumpet, but after being exposed to poison gas in the war, he no longer had the lung capacity required, and so, upon his return to the United States he learned the banjo and guitar instead (1. Holiday also believed that the exposure to gas also eventually killed him, as he died of pneumonia exacerbated by difficulties finding proper medical care as he was traveling and performing in Texas in 1. In reality, although Clarence was enlisted during the war, he probably wasn't exposed to poison gas (Clarke 2. It's also possible that he wasn't turned away from a hospital or moved because of racism but because he was a veteran and was directed to seek care at the nearby veterans. That matters little, for as far as Holiday was concerned, her father was killed by Jim Crow segregation. Her mother's victimization was largely economic: Sadie Fagan worked as a domestic much of her life, rarely earning enough to keep herself and her daughter comfortable, fed, safe, and together. Holiday was regularly shuffled around, with various relatives caring for her when her mother couldn't or wouldn't. The worst of these situations she described in her autobiography, inventing a fictional . Not with a strap, not with a spank on the ass, but with her fists or a whip. Her mother arrived on the scene in time to see the child fighting, but apparently not in time to prevent her from being raped. To her credit, Sadie immediately called the police and sought justice for her daughter. In this case and so many others in her lifetime, though, Holiday would be further victimized by the system. Although the police charged her neighbor with rape and he went to jail, she was likewise arrested. Part of the problem, according to both Holiday and Clarke, was that Holiday looked mature for her age and thus wasn't treated as the child she was. Equally problematic was the 1. Sealing her fate, Holiday had been left unattended by her mother, and given the flaws in the system, this resulted in Holiday's being sent to a Catholic reform school (Holiday 1. Thus, after the most traumatic experience of her young life, Holiday was arrested. Sadie Fagan was a complicated woman, one who alternately loved and resented her daughter. Holiday's loyalty to her mother inspired her to fudge some facts in her autobiography, making her mother seem saintly and selfless if na. Clarke notes that Sadie was arrested for prostitution at least once and likely pulled her young daughter into prostitution as well. In Holiday's version of events, of her own volition, she began running errands for the madam Alice Dean. In Dean's brothel Holiday first heard the music of Louis Armstrong and Bessie Smith, the two musicians whom she said most influenced her (Holiday 1. It was also here that she first learned the sex trade, though she claimed she was not yet a prostitute. Later in her autobiography, Holiday says that when she moved to Harlem and became a . Her friend and the ghostwriter of her autobiography, William Dufty, remembers events differently, claiming Sadie intentionally caused the miscarriage of the only child Holiday would ever conceive (Clarke 2. Whether or not the story is true, Holiday spent most of her adult life yearning for children she would never have. She also spent much of her adult life seeking the love that had eluded her mother. As Clarke (2. 00. Holiday had a series of incredibly bad relationships, among them two marriages. The men she loved were unfaithful, cruel, selfish, and sometimes violent. Like Holiday, they battled drug addictions, arguably making her attempts to get clean impossible. They managed her career, sometimes, though none seemed to have Holiday's best interests at heart. They pilfered much of her money and caused her to experience regular and significant financial insecurity, despite the fistfuls of cash she eventually earned. They also provided loads of material, both in terms of her emotive style and her songwriting. For example, the song . According to the legend, her mother was sick and unable to work. Holiday had given up prostitution, and she couldn't get any money out of her father. She and her mother were hours away from eviction in the dead of a New York winter when she walked into Pod's and Jerry's speakeasy and asked for a job as a dancer. They gave her an audition on the spot, in front of a live crowd. She bombed, and they were ready to dismiss her when the piano player asked her if she could sing. When she was as young as 1. Holiday was singing in clubs after- hours and starting to pick up a few bucks. This she did in several cities, though it was in Harlem that she made a name for herself. Her first long engagement was at the Hot- Cha Bar and Grill, her first major success when she played the Apollo and got an incredibly enthusiastic reception. She likewise appeared as an extra in The Emperor Jones (Murphy) in 1. Duke Ellington vehicle, Symphony in Black (Walla 1. Clarke 2. 00. 0). She was becoming fabulously successful and was not yet 2. She solidified her reputation with other jazz musicians during these years, developing friendships that would last her lifetime. The most celebrated of these friendships was that between Holiday and Lester Young, the saxophone player who nicknamed her . Clarke writes that the praise given to Young by Whitney Balliett applies equally to Holiday, that they both had . In the end, they died only five months apart. Many of Holiday's recordings from these years are celebrated for their stylistic innovation and verve. Among the best are those she recorded with pianist Teddy Wilson and his ensemble. These records include the hits . Owner Barney Josephson costumed doormen in rags. They and much of the rest of the staff were as likely to refuse to be of service to patrons as they were to accommodate. Josephson adopted the slogan, . He insisted that the club be racially integrated in every way, a groundbreaking move in the club scene of those days. Holiday seemed the perfect choice as headliner, for she was obviously talented, but she also attracted a cult following and already practiced what can only be called an early version of black pride. Stately and beautiful, Holiday was also proud and had a reputation for resisting segregation. She claimed in her autobiography that Meeropol brought the song (still just in poetic infancy) to her, and further claimed that he thought she alone could sing it (Holiday 1. That, said Meeropol, wasn't the way he remembered things. He remembers only that Josephson asked him to bring the song to Caf. Further, she became physically ill each time she sang it (Margolick 2. Audiences and critics alike attested to Holiday's emotion in singing this song. Wrote Samuel Grafton of the New York Post, . No doubt some of the emotional impact was the result of careful staging at Caf. Holiday closed her set with the song, leaving the audience with its impact. As well, Josephson saw to it that there was no table service ongoing during the song: . The British music journal Q included . However, not everyone was so enamored of it. John Hammond, the white record producer who liked to claim that he . A few other jazz critics shared Hammond's assessment, as did Jerry Wexler, another record producer. He said of the song, . He criticized its musical merits as well, but for Wexler as for Hammond, the song lacked appeal because it was protest, not despite this fact. Holiday was no doubt aware of these criticisms, but she sang the song anyway. Not only did she sing the song, she owned it. At some point, Holiday became irrevocably associated with . In some respects, she flailed her audience with it, punishing them and forcing them to bear witness to this country's crimes against her people. Writer Studs Terkel described her performance of the song's last notes as follows: . She leaves the last note hanging.
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